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That's What I Like
Choral SATB
Sheetmusic to print
8 sheet music found
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1
That's What I Like
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.822456 By Bruno Mars. By B…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.822456 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Meredith Strang. A Cappella,Pop. Octavo. 16 pages. Meredith L Strang #3499635. Published by Meredith L Strang (A0.822456). All-female a cappella arrangement of Bruno Mars' classic That's What I Like that can easily be sung as co-ed as well.
$12.99
12.03 €
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Choral SATB
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Bruno Mars
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That's What I Like
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Meredith L Strang
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SheetMusicPlus
Stabat Mater
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00
17.6 €
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Choral SATB
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
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SheetMusicPlus
Grace Kelly
Choral SATB
By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken
By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken
Grace Kelly is a song by the British pop singer Mika, released in 2007. It also appeared at the same time on his album Life in Cartoon Motion. The song entered the UK Singles Chart at No. 3 and one week later it jumped to No. 1, where it remained for five weeks. It ended 2007 as the year's third biggest-selling single in the UK.It also went to #1 on the Czech Republic, Ireland, Italy, Norway and Turkey singles charts.
The song is titled after the Academy Award winning film and stage actress Grace Kelly who went on to become Princes Grace of Monaco. The lyric "So I tried a little Freddie" is a reference to Queen'sFreddie Mercury, to whose singing voice Mika's has been compared.
The song was designed to be a mocking satire of musicians who try to reinvent themselves to be popular. Mika wrote the song after feeling frustrated with record company executives who wanted him to change his sound to fit the common pop mould - to be "more like Craig David". After one such interview, Mika wrote the song saying "I can be any colour you want, what the hell do you want me to be, should I look older, should I bend over just to be put on your shelf. What is it that you want? You don't know what you want so I can be every color of the rainbow.' And at the end I was like, 'all you think about is money, so "kerching"! - take that.' And that was the song."
A fun piece for audience and singers alike, with some vocal and rhythmic challenges, as well as occasional divisi parts, thrown in for good measure.
$2.40
2.22 €
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Choral SATB
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Mika
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Grace Kelly
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Sandra Milliken
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SheetMusicPlus
He's Alive and He Still Loves Us
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. By Tanya Lee Vance. Easter,Sacred. Octavo. 6 pages. Tanya Vance #4641983. Published by Tanya Vance (A0.995880). Appropriate for the Easter season or any time of the year to remind us that Jesus death was not the end. This beautiful choral arrangement will stir the heart and inspire many. Jesus is alive in His heavenly home and yes, He still loves us! For verse two, the rhythm varies with the words from verse 1. For example, taken should be on two 8th notes instead of one quarter note like in the first verse. I have included a recording I made at home using just my voice to give you an idea of what the song sounds like. Of course, with a full choir, it will sound so much better. I am a soprano and I was trying to sing tenor and bass, so please use your imagination!
$4.75
4.4 €
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Choral SATB
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Tanya L
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He's Alive and He Still Loves Us
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Tanya Vance
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SheetMusicPlus
I Can Only Imagine
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620850 By MercyMe. By Bart…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620850 By MercyMe. By Bart Millard. Arranged by Stephen DeCesare. Christian. Octavo. 17 pages. Exultet Music #3479665. Published by Exultet Music (A0.620850). The chart-topping song, I Can Only Imagine by MercyMe is a song that brings ultimate hope to so many - often in the midst of life's most challenging moments; About what it will be like in Heaven and to be standing before God has now been freshly arranged for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year.
$12.99
12.03 €
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Choral SATB
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MercyMe
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I Can Only Imagine
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Exultet Music
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SheetMusicPlus
Song of Peace
Choral SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1024498 Composed by Bern…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages. Bernadette M Debattista #6092703. Published by Bernadette M Debattista (A0.1024498). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.
$90.00
83.37 €
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Choral SATB
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BernadetteM
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Flute for Tenor Sax 1
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Song of Peace
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Bernadette M Debattista
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.62 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Caledonia
Choral SATB
Choir ? SATB Divisi - Advanced Intermediate - Digital Download By Dougie Maclean, VOCES8…
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Choir ? SATB Divisi - Advanced Intermediate - Digital Download By Dougie Maclean, VOCES8. Arranged by Blake Morgan. Octavo, Score. 16 pages. Published by Blake Morgan
Made popular by British vocal octet VOCES8, this arrangement of Dougie Maclean's heartwarming tune invites a slice of Scotland into the choral rehearsal room. "Caledonia" was the Latin name the Romans used for Scotland, and Dougie's original song has become somewhat of an unofficial anthem for the country. In an arrangement here by Blake Morgan, the textures throughout range from the signature "blended" sound of VOCES8 to a roaring climb through the Scottish highlands before returning to the final refrain in a hymn-like harmonization, bringing us to back to the place we call home. "Let me tell you that I love you, and I think about you all the time; Caledonia, you're calling me, and now I'm going home.".
$3.50
3.24 €
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Choral SATB
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Dougie Maclean, VOCES8
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Caledonia
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Blake Morgan
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SheetMusicPlus
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